When playwright Martin McDonagh wanted to expand his work from stage to screen, he tested the waters by making a short film. That 2004 effort, the absurdly dark “Six Shooter,” paved…
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
When playwright Martin McDonagh wanted to expand his work from stage to screen, he tested the waters by making a short film. That 2004 effort, the absurdly dark “Six Shooter,” paved the way for his career behind the camera — and won McDonagh his first Oscar. McDonagh would reteam with “Six Shooter” star Brendan Gleeson for “In Bruges” as well as for this year’s “The Banshees of Inisherin.” In McDonagh’s latest film, Colin Farrell plays a dairy farmer who has a falling out with his best friend, Colm (Gleeson), on a small island off the coast of Ireland. It’s an Oscars frontrunner — proof of just how a career can bloom out of the right short film.
Which is a model that Taylor Swift, who announced last week that she’s directing her first feature film for Searchlight Pictures, may hope to emulate. She’s already achieved too many career milestones to count, but her direction of “All Too Well: The Short Film,” a 15-minute movie that’s been viewed more than 80 million times on YouTube, represents a step in a new direction for the Grammy-winning artist who has dominated pop culture since the late 2000s. The film follows the story of one of her most beloved songs, the most-discussed track from 2021’s re-recorded album “Red (Taylor’s Version).” Fans who’d already loved “All Too Well,” devoured the saga of a 21-year-old woman (Sadie Sink) and her heartbreak over a relationship with an older man (Dylan O’Brien), and parsed all of Swift’s sorrowful and carefully chosen details.
Watch the full interview here as part of Variety’s Directors on Directors series, presented by MGM Studios and United Artists Releasing.